Historic
Restoration
Courthouses, churches, century estates. Documented, preserved, and put back better than the archives remember it.
Master of Historic Roofs·Slate & Clay
JUSTEN NEWTON
The Blue Collar Scholar
Lakewood, CO·Landmark roofs nationwide·239‑791‑0646
Serving Boulder·Denver Metro & Front Range
Boulder's older ground splits two ways — Mapleton Hill's Victorians down low, the craftsman bungalows climbing University Hill, with Chautauqua's century cottages sitting off to the side like they've got nowhere to be. Different eras, same roofs: old enough that the hidden work underneath has usually been touched at least once by somebody who shouldn't have.
A craftsman bungalow and a Victorian don't fail the same way, but they fail for the same reason — flashing that got cheaper every time it was replaced, fasteners nobody checked because the tile or slate up top still looked fine. The standard doesn't bend for the hill it's built on.
The Craft·Four Disciplines, One Standard
Courthouses, churches, century estates. Documented, preserved, and put back better than the archives remember it.
Fired clay that outlives its warranty by a century. Matched, milled, and hung by hands that know every profile in the catalog.
Stone laid to shed water for a hundred years. Cut, hung, and headlapped like it has to prove it every day.
The dangerous work nobody photographs. Brought down under negative air by certified crews — contained, cleared, and manifested — so the beautiful work can begin.
The Work·Three Restorations
Custom Ludowici clay, hand-slushed with battered butts — 128 squares in a three-color blend, full insurance restoration in Denver. Completed with Precision Construction and Roofing.
Full tear-off and re-deck — 2,500 squares of Boral Tejas España tile, battens and field reinstalled across the complex. Completed with Precision Construction and Roofing.
DaVinci slate in a black-and-grey blend — 396 squares total, custom copper-and-lead turret work on a full insurance replacement. Completed with Precision Construction and Roofing.
The Process·How a Landmark Roof Comes Back
Walk the field, photograph the failures, and write down what the archives leave out. Pitch, headlap, fastener type, valley metal, and the places water already won — on paper before a tear-off starts.
Protect the building the moment the old roof opens. Temporary cover that holds weather and keeps interiors dry while salvage, abatement, and staging do their slow work.
Keep every sound piece that still belongs. Spec the clay or slate that matches color, profile, and thickness — Ludowici when the field was Ludowici, premium slate when the civic roof demands it.
Copper on slate. Headlap sized to the pitch. Hips, ridges, and valleys set so nobody has to apologize later. Staging that keeps boots off the finished field.
A clean manifest, photos, and the notes the next keeper will need. Warranty paperwork where it applies, and a roof you can stand behind without hedging.
The Doctrine·Notes from the Steep Slope
University Hill's bungalows and Mapleton Hill's Victorians are old enough to have survived at least one bad decade of roofing work. A slate field up there fails at the same details it fails everywhere — rusted steel nails, headlap shaved thin, a valley patched in something that didn't belong. Fix what's underneath or the stone's hundred years means nothing.
A Chautauqua cottage roofed in clay wants its exact Ludowici profile, not whatever's closest on the truck. The old profiles are still in the catalog; matching them is slower than guessing, and it's the only version that doesn't announce itself as a repair from the street.
Boulder's older bungalows and cottages get judged by their rooflines, but the roofline is the last thing that matters. Decking gets checked, underlayment goes in right, and none of the craftsman detail up top means anything if the hidden work was done cheap the last time somebody touched it.
“The archives remember what the roof looked like. My job is to make the roof agree.”
— Justen Newton
The Anatomy·Why a Century Roof Lasts a Century
The pretty part is the clay. The century is everything underneath it. Walk the layers.
Field Answers·Straight Talk on Historic Roofs
Fired Ludowici clay and quarried slate both outlive the crews that install them — a century is the floor, not the ceiling. What fails first is everything underneath: the underlayment, the flashing, the fasteners. Get the hidden work right and the stone does its hundred years without complaint.
Every profile Ludowici ever fired lives in a catalog, and a 1920s field deserves its exact match — not the closest thing on a pallet this month. Salvage comes off graded and re-laid where it shows; new fired clay is blended through the field so the repair disappears instead of announcing itself.
A slate roof almost never fails as stone — it fails at the details. Rusted steel nails, headlap shaved thin, a valley re-flashed in something cheap. Most “failed” slate roofs need their fasteners, flashing, and headlap corrected, not a tear-off. Full replacement is the last resort, never the opening bid.
On mid-century buildings, often yes — transite and older membranes have to come off under negative air, with certified crews and a clean manifest, before a single new course goes on. It is the dangerous work nobody photographs, and it is handled by the book or not at all.
Based in Lakewood, Colorado — serving Boulder and the rest of the Denver metro and Front Range, with historic and landmark restoration wherever the roof carries the building’s story. If it does, it is worth the drive.
The Scholar·Steep Slope, Clear Standard
Steep-slope craftsman. Historic clay and slate. One standard — whether the roof sits on a courthouse, a church, or a residence that carries the same weight.
Headquartered in Lakewood, Colorado — seventeen years on landmark roofs nationwide. Ludowici clay, premium slate, and asbestos abatement handled by the book. When the roof carries the building’s story, the work travels.
Every landmark needs a keeper