Historic
Restoration
Courthouses, churches, century estates. Documented, preserved, and put back better than the archives remember it.
Master of Historic Roofs·Slate & Clay
JUSTEN NEWTON
The Blue Collar Scholar
Lakewood, CO·Landmark roofs nationwide·239‑791‑0646
Serving Aurora·Denver Metro & Front Range
Aurora reads newer at a glance — mid-century blocks that grew up around old Fitzsimons, subdivisions that don't look like restoration country. Look closer at the original townsite and the housing stock gets older fast, old enough that a roof up there has already outlived one owner's idea of a quick fix.
Mid-century construction wasn't built for landmark treatment, but the older pockets near the original townsite carry the same roofing problems as anywhere else in the metro: fasteners that were never meant to last a century, flashing detailed for a twenty-year roof instead of a hundred-year one. The standard doesn't change because the neighborhood is younger.
The Craft·Four Disciplines, One Standard
Courthouses, churches, century estates. Documented, preserved, and put back better than the archives remember it.
Fired clay that outlives its warranty by a century. Matched, milled, and hung by hands that know every profile in the catalog.
Stone laid to shed water for a hundred years. Cut, hung, and headlapped like it has to prove it every day.
The dangerous work nobody photographs. Brought down under negative air by certified crews — contained, cleared, and manifested — so the beautiful work can begin.
The Work·Three Restorations
Custom Ludowici clay, hand-slushed with battered butts — 128 squares in a three-color blend, full insurance restoration in Denver. Completed with Precision Construction and Roofing.
Full tear-off and re-deck — 2,500 squares of Boral Tejas España tile, battens and field reinstalled across the complex. Completed with Precision Construction and Roofing.
DaVinci slate in a black-and-grey blend — 396 squares total, custom copper-and-lead turret work on a full insurance replacement. Completed with Precision Construction and Roofing.
The Process·How a Landmark Roof Comes Back
Walk the field, photograph the failures, and write down what the archives leave out. Pitch, headlap, fastener type, valley metal, and the places water already won — on paper before a tear-off starts.
Protect the building the moment the old roof opens. Temporary cover that holds weather and keeps interiors dry while salvage, abatement, and staging do their slow work.
Keep every sound piece that still belongs. Spec the clay or slate that matches color, profile, and thickness — Ludowici when the field was Ludowici, premium slate when the civic roof demands it.
Copper on slate. Headlap sized to the pitch. Hips, ridges, and valleys set so nobody has to apologize later. Staging that keeps boots off the finished field.
A clean manifest, photos, and the notes the next keeper will need. Warranty paperwork where it applies, and a roof you can stand behind without hedging.
The Doctrine·Notes from the Steep Slope
A mid-century roof rarely gets slate, but the older stock near Aurora's original townsite sometimes did — and it fails exactly like every other slate field: a rusted fastener here, a headlap shaved thin there, a valley re-flashed in whatever was cheap that decade. The fix is the same whether the house is from 1907 or 1947 — hang it on copper, size the headlap to the pitch, and don't let anyone walk the finished field.
Clay tile is rarer out this way, but where it exists — usually on the older housing stock near the original townsite — it still deserves its exact Ludowici match, not a close approximation ordered off a shelf. A mismatched profile ages a roof by fifty years the moment you notice it.
Fitzsimons-era construction and the neighborhoods that grew up around it weren't built expecting a hundred-year roof, which makes the hidden work matter more, not less. Decking gets checked before anything else goes back on; underlayment doesn't get skipped because the house is younger than the courthouse downtown. The roof doesn't know how old the neighborhood is.
“The archives remember what the roof looked like. My job is to make the roof agree.”
— Justen Newton
The Anatomy·Why a Century Roof Lasts a Century
The pretty part is the clay. The century is everything underneath it. Walk the layers.
Field Answers·Straight Talk on Historic Roofs
Fired Ludowici clay and quarried slate both outlive the crews that install them — a century is the floor, not the ceiling. What fails first is everything underneath: the underlayment, the flashing, the fasteners. Get the hidden work right and the stone does its hundred years without complaint.
Every profile Ludowici ever fired lives in a catalog, and a 1920s field deserves its exact match — not the closest thing on a pallet this month. Salvage comes off graded and re-laid where it shows; new fired clay is blended through the field so the repair disappears instead of announcing itself.
A slate roof almost never fails as stone — it fails at the details. Rusted steel nails, headlap shaved thin, a valley re-flashed in something cheap. Most “failed” slate roofs need their fasteners, flashing, and headlap corrected, not a tear-off. Full replacement is the last resort, never the opening bid.
On mid-century buildings, often yes — transite and older membranes have to come off under negative air, with certified crews and a clean manifest, before a single new course goes on. It is the dangerous work nobody photographs, and it is handled by the book or not at all.
Based in Lakewood, Colorado — serving Aurora and the rest of the Denver metro and Front Range, with historic and landmark restoration wherever the roof carries the building’s story. If it does, it is worth the drive.
The Scholar·Steep Slope, Clear Standard
Steep-slope craftsman. Historic clay and slate. One standard — whether the roof sits on a courthouse, a church, or a residence that carries the same weight.
Headquartered in Lakewood, Colorado — seventeen years on landmark roofs nationwide. Ludowici clay, premium slate, and asbestos abatement handled by the book. When the roof carries the building’s story, the work travels.
Every landmark needs a keeper